Play Theory and Public Media: A Case Study in Kenya

dc.contributor.authorObonyo, Levi
dc.contributor.authorFackler, P. Mark
dc.date.accessioned2023-06-26T07:38:38Z
dc.date.available2023-06-26T07:38:38Z
dc.date.issued2014-03-28
dc.descriptionBook Chapteren_US
dc.description.abstractThis chapter focuses on common play, the first public activity most humans learn and practice. The authors use play theory to explain the significance of editorial cartooning in Kenya. They suggest that, in developing democracies that cannot assume universal literacy, media users concerned about public life receive initial and meaningful information on politics through conventions associated with the editorial cartoon. They argue that cartoon viewers learn through this play mode rather than from public debate or through a rational articulation of issues. The five cartoonists interviewed here describe their work in ways uncommon for the press establishment, and they evince values like courage, criticism of entrenched power, and passion for justice – values that the press establishment reveres, yet practices much more conservatively.en_US
dc.identifier.citationPlay Theory and Public Media: A Case Study in Kenya Editorial Cartoons, in Fortner, R. S. and Fackler, M. The Handbook of Media and Mass Communication Theory, NY: Wiley-Blackwell, April 2014, pp.726-740.en_US
dc.identifier.urihttps://repository.daystar.ac.ke/handle/123456789/4118
dc.language.isoenen_US
dc.publisherWiley-Blackwellen_US
dc.subjectCartoonistsen_US
dc.subjectCommon playen_US
dc.subjectEditorial cartoonen_US
dc.titlePlay Theory and Public Media: A Case Study in Kenyaen_US
dc.typeArticleen_US

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